![]() Where some will see loneliness, others will see intimacy. Our images imply that his characters came from one place and are going to another but give no clues as to what those places are. The intermission is the tension between before and after.Įdward Hopper, the author of the images we created, gave us intermissions. To schedule a private viewing at the Saddlery Gallery call 41 FROM THE ARTISTSĪ pause between two moments. ![]() They are contemporary versions of works by American painter Edward Hopper. Intermission is an exhibit of very large format photographs created by Adrien Veczan & Hailey Poole. EDMONTON WHEN FRIDAY-SATURDAY-SUNDAY 12-5PM OR BY APPOINTMENT.Using the Vintage Agfacolor Film Simulation Recipe (Plus YOUR Pictures!)Įnter your email address to follow this blog and receive notifications of new posts by email.Fujifilm X70 (X-Trans II) Film Simulation Recipe: Kodak Color Negative.My Fujifilm X100F Kodak Portra 400 Film Simulation Recipe.Fujifilm X100V Film Simulation Recipe: Kodak Portra 400 v2.Fujifilm X100V Film Simulation: Kodak Portra 400.My Fujifilm X100V Kodachrome 64 Film Simulation Recipe.Fujifilm X70 (X-Trans II) Film Simulation Recipe: Monochrome Red.How To Add Film Simulation Recipes To Your Fujifilm Camera.Fujifilm X70 vs Fujifilm XF10 vs Ricoh GR.Creative Collective 025: FXW Zine - Issue 10 - September 2022.Fujifilm X70 (X-Trans II) Film Simulation Recipe: Kodak Color Negative.Fujifilm Interview is Disappointing (But, There is a Silver Lining).Fujifilm X70 (X-Trans II) Film Simulation Recipe: Monochrome Red.Fujifilm X-E4 (X-Trans IV) Film Simulation Recipe: Vintage Analog.Fujifilm Needs to Drop Everything and Make an X80.Fujifilm X70 (X-Trans II) Film Simulation Recipe: Fujichrome Slide.Fujifilm X70 vs Fujifilm XF10 vs Ricoh GR …in 2022. ![]() Using the Vintage Agfacolor Film Simulation Recipe (Plus YOUR Pictures!).It’s important to take advantage of those moments when everything comes together, and really squeeze the best pictures possible out of them. But when the right conditions occur, it’s usually not just one good frame that I come away with, but several. Doing a project like this increases the odds, but it’s still not going to happen every time I have a camera in my hands. Good photography doesn’t happen daily, as it takes the right subject at the right time in the right light and with the right vision. Those weeks that had several good photographs in them, I remembered that there were other good images that I could have also included, but I had to pick just one for each day. What I found interesting as I looked back at each post is that for some of the weeks there were several good pictures to choose from, and other weeks there were seven mediocre-at-best pictures posted. In a way it goes against the idea of capturing a picture each day, but, at the same time, if one needs a mental refresher, one should take a mental refresher! I definitely needed one, and I’m happy that I took it.īelow you’ll find one photograph that I’ve selected from each week of this project. I said this before, if I were to do this again, I would schedule periodic breaks, maybe once a quarter. I now feel ready to tackle the second half. I was able to reflect back on the 26 weeks that had passed. I mean, I made it halfway, why can’t I just pull up the bootstraps and persevere? However, the break was refreshing, and perhaps necessary, and those initial feelings soon subsided. At first I was a little anxious, because I felt as though I was selling myself short. After completing half a year without missing a single day, I purposefully took a break from this photo-a-day project.
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